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Social Housing - Housing the Social | Actors, Agents and Attendants II: Video Report November 4, 2011 | Actors, Agents and Attendants II: Video Report November 5, 2011 | Caring Culture: Art, Architecture and the Politics of Public Health | |||||||||||
04.11.2011 - 05.11.2011 Felix Meritis A two-day symposium on November 4 and 5, 2011 that emphasises the relationship between the waning political and practical imperative of social housing and the broader conceptual or philosophical idea of 'housing the social'. | 04.11.2011 Felix Meritis With contributions by Chto Delat, Arnold Reijndorp, Bregtje van der Haak, Don Mitchell, Partizan Publik, Miguel Robles-Duran, Martha Rosler, Adri Duivesteijn, Ultra-red, Jiang Jun and others. | 05.11.2011 Felix Meritis With contributions by Zoran Erić, Jeanne van Heeswijk, Sabrina Lindemann, Marjetica Potrč, Recht auf Stadt, Arno van Roosmalen, Artists at Occupy Amsterdam, Christoph Schäfer, Pelin Tan, Yazid Anani, Roman Vasseur and others. | The first volume in the 'Actors, Agents and Attendants' series of publications and symposia commissioned and initiated by SKOR | Foundation for Art and Public Domain to investigate the role of cultural practice in the organization of the public domain. | |||||||||||
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Afterlife | Resistance is Fertile / Resistance is Futile | Open 22: Transparantie. Openbaarheid en geheimhouding in het tijdperk van WikiLeaks | ENPAP Public Art Network Initiative | |||||||||||
03.11.2011 - 01.07.2012 Nederlands Uitvaart Museum Tot Zover, De Nieuwe Ooster Wat gebeurt er na het leven? Is er iets of is er niets? | 09.02.2012 De Inkijk From February 9, 2012, SKOR presents the neon installation 'Resistance is Fertile / Resistance is Futile' by Warren Neidich on the roof of De Inkijk. | 'Open' 22 onderzoekt, met WikiLeaks als exemplarisch geval, hoe in onze geïnformatiseerde beeldculturen transparantie en geheim zich tot elkaar, het publiek en het publieke verhouden. | ENPAP is a network of art organizations that share an affinity for expanding the notion of public art. | |||||||||||
